On breaking the algorithm's picture of you
Once the algorithm knows you, how do you break its picture of you? How do you meet the things that might interest a future version of you, instead of feeding the one you already are?
What I am reading, watching and find myself interested in. If you are thinking about any of the same things, or you have something I should read, please send it over!
Click any tab or subject to open it. Drag to rearrange.
The threads cross because the interests do. Every tab is also in the plain list below.
Who gets rendered and who gets left out, and why that is usually a procedure rather than a decision.
Once the algorithm knows you, how do you break its picture of you? How do you meet the things that might interest a future version of you, instead of feeding the one you already are?
Han asks why we are exhausted by so much freedom. I keep circling a version of the same shape. Why do we feel so unseen while being so surveilled? And why does being unseen feel offensive?
Alongside Conditional
Psychogeography says the city presses itself onto you. Reversed, the systems in a city take an imprint of you without asking. Mendieta pressed her body against glass and photographed what the pressure did. The imprint is shaped by the force, not the body.
A face embeds as a list of numbers, a fingerprint rather than a photo. So running the numbers in reverse should grow a face close to yours. This is the third time it has come back, so I have started building it.
Alongside Conditional
A curtain that follows people as they pass, so the act of hiding is what draws the eye.
I liked the ending, which lands on agency and on being able to do something about the dread rather than only holding it.
The composite self, built from other people's images and other people's accounts of you.
Portraits grown from DNA left behind on the street. A face assembled from someone without their knowing.
Being detected is not the same as being known. Machines that orient toward you without seeing you.
A machine that cannot stop containing itself.
Small machines that orient toward the nearest warm body. The attention is real and the recognition is hollow. Being witnessed without being known.
Alongside Conditional
How pictures are made, who they serve, and the decade I spent inside the machine that makes them.
Skin matched to a Pantone chip, one person at a time.
oh the agony of putting out imperfect work into the world, but if i never put it out, i can never improve from it
Every idea I have arrives ambitious and large-scale, and it means I make fewer things. I would like to be able to make small ones.
Plants, animals, and the possibility that awareness was never ours alone. Also how differently other things hold time.
A bird pecking looks random until you slow it down, and then it looks thoughtful. Plants look like they are dancing when you speed them up. Greenland sharks process time slowly in the deep cold and live a long while, so a long life must feel even longer to them.
If people can feel awe at the possibility that a plant is aware, that changes the relationship to the world more than guilt does. I do not know yet what it looks like.
Recognise any of this? If you have a book, a work, or a thread I should be reading, send it over. I read everything that arrives.